{"version":"1.0","provider_name":"Fondazione FILA Museum","provider_url":"https:\/\/www.fondazionefila.com\/en\/","author_name":"Fondazione","author_url":"https:\/\/www.fondazionefila.com\/en\/author\/admin\/","title":"Fondazione FILA Museum - FILA goes to Hollywood: The Firm","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CZq9VwVaif\"><a href=\"https:\/\/www.fondazionefila.com\/en\/blog\/fila-goes-to-hollywood-the-firm\/\">FILA goes to Hollywood: The Firm<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.fondazionefila.com\/en\/blog\/fila-goes-to-hollywood-the-firm\/embed\/#?secret=CZq9VwVaif\" width=\"600\" height=\"338\" title=\"&#8220;FILA goes to Hollywood: The Firm&#8221; &#8212; Fondazione FILA Museum\" data-secret=\"CZq9VwVaif\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.fondazionefila.com\/wp-content\/uploads\/2021\/06\/09SET2020-BLOG-THE-FIRM.jpg","thumbnail_width":640,"thumbnail_height":360,"description":"Movies about English working class\u2019 anger are many and valuable: just think of Master Ken Loach\u2019s entire filmography. Not mention the verve of Full Monty by Peter Cattaneo (1997), the grace of Billy Elliott by Stephen Daldry (2000) and that surprising gem named Pride, directed by Matthew Warchus in 2014. Today we want to talk about social frustration turning into violence, finding legitimation in clothing and fashion looks."}